The Chicago Sun-Times has the sad news about longtime Wilco member Jay Bennett, dead in his sleep at age 45.R.I.P. Jay.
The Chicago Sun-Times has the sad news about longtime Wilco member Jay Bennett, dead in his sleep at age 45.
Singer-songwriter Jon Troast hit the halfway mark the other night on his "100 Concerts in 100 Days" trek across the United States. Since launching this latest run of 100-dollar-a-night house concerts in March, Troast has traveled through Wisconsin, Illinois, Minnesota, Michigan, Missouri, Oklahoma, Texas, New Mexico and Arizona, and is currently in my neck of the woods, California.
Once you've ascended to the Rock and Roll Hall of Fame and been repeatedly declared one of the most influential acts of your era, what's left?
Add to the tales of the new music industry model (coming someday in the future to a wireless card near you), the saga of California indie band Wonderlick's new album.
As long as we’re talking modern-day supergroups, why not Chickenfoot?
Jeff Beck has had a career anyone would be envious of, from The Yardbirds to his partnership with Rod Stewart in the Jeff Beck Group to years of solo instrumental work with the likes of Jan Hammer. What he's never had before this year, is a live performance DVD. And perhaps you're thinking "Yeah, but the guy's in his mid-60s... do I really want to see a former great on the downside of his career?"
The saga of Mott The Hoople as a band could fill pages (and has); suffice it say, the five-man troupe of British rockers seemed star-crossed from their first gigs in 1969 through their semi-final implosion in 1974. From their debut through two years of storming live shows and meager record sales, Hunter and guitarist Mick Ralphs, keyboardist Verden Allen and rhythm section Pete (Overend) Watts and Dale (Buffin) Griffin built a reputation as one of the great live bands of their day -- and also as a band that could never quite put together an album that lived up to the promise of those memorable live shows. Just when oblivion beckoned, none other than David Bowie stepped in to help them record their most successful LP (1972’s All The Young Dudes), keeping them in the game for two more tumultuous years as the band flirted with glam-rock and first Allen, then Ralphs and finally Hunter departed.
Launching out of Mott as a solo artist in 1975, Hunter built a solo career marked by both very human missteps and moments of utter brilliance, a magnificently gifted songwriter who has typically been at his best when well-partnered musically, which he most notably was several times with ex-Bowie (and briefly Mott) guitarist Mick Ronson. After a relatively fallow period in the 1980s and 90s, Hunter re-emerged in the 21st century -- by which time he had reached his 60s -- with a pair of the best albums of his or anyone’s career in Rant (2001) and Shrunken Heads (2007).
Our March retrospective -- kicking off today with dueling reviews of Dream Theater -- finds the Daily Vault exploring the fertile soil of modern progressive rock. All those fans who think prog began and ended with Pink Floyd, Genesis, King Crimson, Tull, ELP and Yes should sit up and take notice, for there's plenty of fine recent work to be discussed by the likes of Porpcupine Tree, the Flower Kings, Cairo, Circa and Spock's Beard. From now until March 31, prog once again rules the Vault...
It's not exactly news by now, but what better excuse could there be to dive back into the blog pond than the unveiling of a genuine power-pop supergroup? Tinted Windows is the mind-boggling musical milkshake consisting of James Iha (Smashing Pumpkins), Adam Schlesinger (Fountains Of Wayne), Bun E. Carlos (Cheap Trick) and Taylor Hanson (yes, THAT Taylor Hanson). Appearances are set for South by Southwest on March 20 and The Bamboozle Festival on May 3. A bare-bones MySpace site with a single tantalizing streaming track from the forthcoming album is also live, and damned if "Kind Of A Girl" doesn't sound just like it ought to, except even better.
While you’re out exploring the nether regions of the Internets, don’t forget to tune in to the latest Daily Vault retrospective, featuring one of the most successful female-fronted bands in rock history – Heart. Beginning Wednesday, February 4 and running every weekday through Friday, February 27, we’ll be featuring 18 reviews covering Heart’s entire studio catalog, plus a handful of live releases, collections and surprises. So sit back, relax, and watch the Wilson sisters reel in that barracuda…
Once upon a time, the unlikely collaboration between Switchfoot frontman Jon Foreman and Nickel Creek wunderkind Sean Watkins was tentatively named "The Original Sean Jon." We can only assume Mr. Diddy was not amused -- or that Watkins and Foreman came to their senses -- but in any case, the long-gestating project recently saw its official release under the nom d'art of Fiction Family. The vibe is low-key, thoughtful, singer-songwriter acoustic rock, but these two are restless enough souls to throw in all sorts of twists on what was essentially a homemade two-man album passed between them for a couple of years before completion. Available via the FF Web site or iTunes, and take note that the boys are out playing shows now through Feb. 7.
Fresh on the heels of news about a new Depeche Mode album in '09, we're featuring DM and Tears For Fears in an all-80s retrospective this January on the Daily Vault. If moody British electro-pop is your thing, you won't want to miss this.
On March 17, Coheed And Cambria will release Neverender, The Children of the Fence boxset, a release chronicling last October's historic four-night event featuring the band performing each of their four albums in their entirety on four consecutive nights. The shows took place October 22-25 2008 at New York’s Terminal 5 and was the first time that Coheed had performed the saga that connects the albums in order. Nearly 11,000 of their most passionate fans flew in from all over the world and lined up all day in the rain to get the best spots on the floor for Neverender’s New York dates, prompting three other sold-out Neverender stands in LA, Chicago, and London. The box set documents the New York stand (as well as clips from all three other cities) in one massive package that will include four live DVDs, four live audio CDs, one documentary DVD, a 10x10 hardcover 48-page photo book and a 7-1/2” custom metal dragonfly. A condensed two-disc DVD will also be made available. Pre-sales for the box began on Friday, Dec 12. Fans who pre-order it will get their names included on a “Children of the Fence” page inside the book, and the first 3,000 copies will be signed by the band.
Pearl Jam fans (e.g. our own DV alumnus Benjamin Ray) will be laughing that it took me a week to catch up to this news, but hey, better late than never. And the news, as reported in this MSNBC article, is big. In this reissue-crazy era, it may not exactly rate screaming headlines when Pearl Jam decides to rerelease their milestone 1991 debut disc Ten. But how about when they reissue it with both a digitally remastered mix of the original album plus a complete stem-to-stern remix of the same album by Brendan O'Brien, the producer who made his name helming the band's subsequent four albums? Plus six unreleased tracks from the Ten era?
It seems like you read maybe once a week about a country artist crossing over to the pop charts. What happens less often than, say, a Jimmy Buffett album that sounds like he means it, is a pop artist crossing over to scale the country charts. What happens, well, pretty much never, is an African American pop artist scoring a #1 country hit -- which is exactly what Hootie & The Blowfish frontman Darius Rucker did this past September. This Washington Post article explains how the lead singer for one-album wonders / best-selling bar band Hootie made the transition to country music and how surprisingly well that transition has gone.
Electro-pop forefathers Depeche Mode have completed their frequently rumored new album and are preparing it for a spring 2009 release, coinciding with the band's planned world tour. Lead vocalist Dave Gahan describes the album in the LA Times' Pop & Hiss blog as "a great record" that will have 12 tracks with an outward-looking feel, and will feature tons of vintage analog equipment courtesy of inveterate eBay shopper and bandmate Martin Gore.
The essence of The Daily Vault is music reviews -- to be precise, over 7,000 album reviews of over 3,100 artists in an archive that grows daily. Since January 1997, our eclectic mix of music reviews, concert reviews and artist interviews has attracted fans and writers from all over the world, with current and former writers hailing from nine countries across four continents. With opinions as varied as the music we review, there's never a dull moment around here...