Jethro Tull's Ian Anderson: The Daily Vault Interview

When you think of the big names of progressive rock in the 19'70s -- the bands that really defined the genre -- you can't help but land on the Big Five: Yes, Genesis, Emerson Lake & Palmer, King Crimson and Jethro Tull. Tull was always a bit of an outlier, manifesting both a cheekier sense of humor (much of it self-deprecating) and a wider musical range (embracing folk music and the use of woodwinds, for example, to a much greater degree than its peers).

The Vault's own Bruce Rusk recently had the privilege of interviewing the man whose name has been synonymous with Jethro Tull for more than 40 years, renowned singer-songwriter-flautist-frontman Ian Anderson. Their interview was candid and revealing on many levels, offering Ian the platform to comment on subjects as varied as his reasons for composing a sequel to 1972's classic Thick As A Brick album, his argument with organized religion, his father's homophobia, and why he hates the name of his own band.  I could say their interview is a great read for any fan of Jethro Tull or '70s prog, but there's really no need to qualify it -- it's a great read, period.

Modern prog retrospective

Our March retrospective -- kicking off today with dueling reviews of Dream Theater -- finds the Daily Vault exploring the fertile soil of modern progressive rock. All those fans who think prog began and ended with Pink Floyd, Genesis, King Crimson, Tull, ELP and Yes should sit up and take notice, for there's plenty of fine recent work to be discussed by the likes of Porpcupine Tree, the Flower Kings, Cairo, Circa and Spock's Beard. From now until March 31, prog once again rules the Vault...

Yes we have no Yes tour (except maybe sorta...)

That heavy sigh heard across the land in early June -- mistaken by many for a sigh of resignation from Hillary Clinton supporters -- in fact came from crestfallen prog-rock fans learning that Yes had canceled their planned summer tour. Perfectly understandable, what with lead singer Jon Anderson having had a major asthma episode that put him in the hospital for days and resulted in strict doctor's orders for the 63-year-old to dial it back a notch for the rest of the year.

Given the history of this band -- whose family tree has more branches than your average giant Sequoia -- it perhaps shouldn't come as a complete surprise to learn that the remaining core trio of Steve Howe (guitar), Chris Squire (bass/vocals) and Alan White (drums) have decided to tour this fall as Yes despite the absence of both lead voice Anderson and off-and-on keyboardist Rick Wakeman, whose son Oliver had earlier been tapped for the summer tour when Pops opted out.

Howe, Squire and White, who had by most accounts grown restless with the band's inactivity in recent years, will now launch the appropriately named "In The Present" tour with the younger Wakeman behind the keyboard stacks and Benoit David out front. Benoit who, you ask? Well, it seems the boys paid attention to the strategy employed by classic rock trend-setters from Judas Priest to Journey and plucked David from Canadian Yes tribute band Close To The Edge after watching him sing on YouTube.

Neither David nor Oliver Wakeman has been asked to commit to the band beyond the planned fall tour, leaving the door wide open for the future return of Anderson and/or Wakeman the elder. Meanwhile, it's get your Yes music where you can...

Asia redux (redux)

Just for the record, this post is all Michael Ehret's fault, except for the parts that are all Bruce Rusk's fault.

See, Michael, having read Bruce's and my reviews of the original self-titled Asia disc from 1982, clapped his hands together with glee when he heard the recent news about the four original members of Asia reuniting not just for a tour, but for a new album, titled Phoenix and due out in April.

This naturally led to a conversation on the Vault writers' e-mail discussion list that went something like this:

Funny you should mention the "not-original" Asia... yes, [keyboardist Geoff] Downes kept the name alive for 15 years with no other original members. The main other guy was a bassist-guitarist-vocalist named John Payne, with rotating touring guitarists and drummers. Every so often one of the other original four would play a few shows with Downes and Payne for old times' sake -- I think [guitarist Steve] Howe once played most of a tour in the early 90s while the [guitarist Trevor] Rabin edition of Yes was busy recording Talk.

About two or three years ago, [original Asia bassist-vocalist John] Wetton and Downes got together and made an album -- I think it was called Icon -- and then Yes went on hiatus, so Howe became available, and [drummer Carl] Palmer jumped in too. Apparently you hit it right on the head as far as the "other" Asia -- Downes left them by the side of the road... But that's not the end of the story! John Payne and the other two guys who were current in Asia at the time have now formed a band named -- I kid you not -- "Asia Featuring John Payne." As opposed to the Downes-Howe-Wetton-Palmer edition of Asia, which is technically known as "The Four Original Members of Asia."

See, it isn't just progressive rock MUSIC that's complicated...!